
F
or over twenty years, members of the Jamaican harmony trio, Foundation, have
used the ruins of a still-standing sugar plantation, "big house", as their
practice space, faithfully rehearsing their, "words and works", amongst
crumbling wall and creeping vines. Enchanting harmonies fueled by compelling
lyrics echo across fields once worked by African salves. Fitting, today this
setting is home to one of Jamaica's finest reggae harmony trios.
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Foundation's
first album, "Flames", ignited critical acclaim with its strong
debut in 1988. Guided by the creative genius of the legendary
Jamaican producer, Jack Ruby, "Flames", is a celebration of
impeccable musicianship, one that expresses a wide range of
styles and issues. The plaintive, "Just to See Love", is a
heartfelt tribute to the memory and inspiration of such leaders
as Marcus Garvy, Haile Selassie, Bob Marley, and Nelson Mandela.
The title track, "Flames", addresses the possibility of nuclear
holocaust, which today, though seemingly diminished, has by
no means disappeared. Though social issues are foremost in
the groups, "works", the lighter side of life is enjoyed in
such tunes as, "Dance if You Dancing", - "If you feel alright
say YEAH!". |
| Foundation's next album,
"Heart Feel It", (1989) confirmed the strong artistic conviction
that informed, "Flames". What the heart feels this trio reveals
in their testament to personal and social struggle. Once again,
the project involved some of Jamaica's finest musicians including
the super rhythm duo, Sly and Robbie, along with Dean Fraser,
and the late great Jackie Mittoo. "You and I", speaks to an
aspiration now realized, the dismantling of the heinous system
of Apartheid. "Symptoms and Signs", is a tongue in cheek compendium
of Jamaican folklore. Promotion of these two albums resulted
in Foundation touring Oslo, Helsinki, Stockholm, Milan, Rome,
Bonn and the United States where they dazzled large audiences
and enjoyed rave reviews. |
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Promising future
came to an abrupt halt with the untimely passing of Jack Ruby.
Foundation's work with Island was virtually placed on hold,
a state of limbo that was to last until 1995 when they signed
with Island Jamaica to produce, "One Shirt". The power of
three continues unabated in this issue-oriented album that
relies on silky smooth harmonies to express incisive social
commentaries. Once again, Foundation's strong lyrics speak
to topical issues in a timeless fashion. "Let the People Go",
leaves no room for compromise in its demand for justice and
freedom. "Universal Unrest", reflects the escalating worldwide
conflict between the, "haves", and the, "have-nots". Leaving
larger social issues aside, "Private Life", exposes everyday
human feelings, reminding, "chatty-mouths", to mind their
own business. |
Foundation's eagerly anticipated fourth album is about to be released. Fans
can expect penetrating lyrics and poignant harmonies that amply demonstrate
that this trio has indeed risen to yet another level in their bid to serve as
Jah's messengers. Reminding us that, "Everyone's Got to Take a Stand",
Foundation never lets up in emotional intensity as they preach and exhort us
to, "Find a Way", through the, "Lion's Den". Will it be, "Heavenly Love",
or, "Genocide"? These are the questions Foundation asks in a CD that is
truly representative of the millennium.
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